.comment-link {margin-left:.6em;}

2005-06-07

 

Afinal parece que foi ao contrário


O Salto do Coelho, 1911, de Amadeu Sousa Cardoso in Art Institut of Chicago



Investigador norte-americano concluiu, em estudos recentes, que afinal não foram os seus amigos, Modigliani, Picasso, Braque, que influenciaram Amadeu Sousa Cardoso mas o contrário.



Sousa-Cardoso appears as one of the principal names on the poster advertising the 1913 "Amoury Art Show" in the U.S.A. Here at this Show he was exhibited in Boston, Chicago and New York, alongside his famous contemporaries from Paris. This was the first official introduction of what is commonly known as Modern Art in northern America. His remaining works are sadly too few in number and those that have survived are prized possessions of Portuguese collectors. They show his considerable talent that was tragically robbed from the art scene by his early death.

Comments:
________________________

Maroto, o nosso homem de Amarante, deixou os coevos boquiabertos e os políticos em estado de choque. Ao pôr o coelho a saltar da direita para a esquerda, profetizou algo de belo. Mesmo que a profecia não se cumpra com clareza, a emoção fez a pincelada chegasse até aos nossos dias. Parabéns pela selecção.
 
Enviar um comentário



<< Home

This page is powered by Blogger. Isn't yours?